JBL’s range spans vintage studio monitors, home loudspeakers and professional sound reinforcement. The directory includes classic large monitors as well as compact and modern models.
A JBL 2405 tweeter supplements the room’s vintage Altec A7 loudspeakers. It is an added component rather than the main cabinet manufacturer.
Supertweeters: 2405
Inside the system
Rhinoceros pairs an Altec A7-based system with Thöress amplification and a Micro-Seiki analogue source. The listed Jagusch crossover and JBL supertweeter are important: this is a configured system, not simply an untouched example of a vintage Altec cabinet.
Eagle lists JBL in its loudspeakers setup. The equipment details below reflect the venue record.
Loudspeakers: 4344 MkII
Inside the system
At Eagle, the equipment record identifies JBL 4344 MkII. The loudspeakers set the starting point for coverage and placement. A plausible reason to choose a dedicated hi-fi installation here is to give records a clear presence without relying on background-music speakers alone.
Jazz Inn Uncle Tom lists JBL in its equipment list setup. The equipment details below reflect the venue record.
Loudspeakers: 4312XP
Inside the system
At Jazz Inn Uncle Tom, the equipment record identifies JBL 4312XP. The loudspeakers set the starting point for coverage and placement. A plausible reason to choose a dedicated hi-fi installation here is to give records a clear presence without relying on background-music speakers alone.
At RPM / Corner Corner, the equipment record identifies JBL Vintage speakers; exact models unspecified. The loudspeakers set the starting point for coverage and placement. A plausible reason to choose a dedicated hi-fi installation here is to give records a clear presence without relying on background-music speakers alone.
Oblicuo Hi-Fi lists JBL in its equipment list setup. The equipment details below reflect the venue record.
Supertweeters: Vintage 075
Inside the system
Oblicuo combines Giorgio Di Salvo’s bespoke three-way main cabinets with smaller ceiling speakers, separate high-frequency units and low-powered bespoke amplification. The Condesa mixer and Technics source form the working front end of the room.
La Analógica HIFI lists JBL in its equipment list setup. The equipment details below reflect the venue record.
Loudspeakers: L110
Inside the system
La Analógica combines a Reloop RP7000MK2 and Taula mixer with several vintage amplifiers and speaker pairs. This makes it a collection with multiple possible playback combinations, rather than a fully documented fixed signal chain.
The available record tentatively identifies JBL equipment at All Blues. The model or attribution still needs confirmation.
Monitor speakers: Possible 4343-series blue-baffle monitors; suffix requires confirmation
Inside the system
At All Blues, the equipment record identifies JBL Possible 4343-series blue-baffle monitors; suffix requires confirmation. A monitor-oriented system can make detail and balance a clear focus. Its suitability across a public room still depends on listening distance, placement and the level at which it is operated.
JBL L82 speakers cover the central bar area, with KEF models serving the front and rear of the room.
Centre / bar speakers: L82 — pair
Inside the system
48 Record Bar distributes KEF R3, JBL L82 and KEF LS50 pairs between the front, bar and rear. The Pro-Ject source supports album listening, while the Ecler WARM2 provides rotary control for DJ programming.
Shibuya Hi-Fi lists JBL in its loudspeakers setup. The equipment details below reflect the venue record.
Bar speakers: Heritage 100s (venue wording)
Inside the system
Shibuya Hi-Fi deliberately separates three listening environments: Klipschorns with Luxman in the HiFi room, JBL speakers with Naim electronics at the bar, and Cathode Bias’s bespoke horn system in the lounge. These should not be described as one interchangeable inventory.