Garrard’s 301 and 401 idler-drive turntables often return to service through specialist restoration. New plinths, tonearms and cartridges can form part of those rebuilt installations.
Garrard’s current operation is owned and run by SME. Its 301 transcription turntables are restored and built to order in house. Many examples in this directory have additional restoration, tonearm or plinth credits, so the Garrard name identifies the deck while the installation record also recognizes the people who returned it to service.
The Garrard 301 is an idler-drive transcription turntable. The linked systems use different quantities, mats, tonearms and plinths; those installation details remain with each venue.
The Garrard 401 is an idler-drive transcription turntable. This entry includes ESP hi-fi’s example restored by Audio Grail; the restoration credit remains in its venue notes.
Bar Neiro lists Garrard in its source / playback setup. The equipment details below reflect the venue record.
Turntable: 301; A23 Hommage mat
Inside the system
Bar Neiro builds its analogue chain around Altec A5 components in Western Electric 825 cabinets: 515B woofers, 1505B horns and 288C compression drivers, supplemented by Fostex T90A supertweeters. Shindo Cortese 300B amplification uses Western Electric 300B valves, with a Shindo Monbrison preamplifier.
The source is a Garrard 301 with an A23 Hommage mat and 12-inch Schick arm. Audio-Technica ART1000 and VM750SH cartridges provide alternative pickup options, with Auditorium 23 cabling. High-efficiency horn loading and low-power valve amplification are central to the design, within an acoustically considered room.
Tannoy Autograph loudspeakers anchor a system with several amplification options: McIntosh MC240, MC275 and MC2300 units are used in rotation, alongside a custom 845-based amplifier. The Autograph’s large horn enclosure is a defining part of the installation, while the rotating electronics make the amplifier pairing variable.
Sources include two Garrard 301 turntables and an EMT 930-ST. A Urei 1620 and Mark Levinson LNP-2 complete the listed control equipment. The mix of broadcast-derived turntables, a rotary mixer and large horn speakers gives the system a coherent analogue identity without implying that every amplifier operates simultaneously.
ESP hi-fi lists Garrard in its source / playback setup. The equipment details below reflect the venue record.
Turntables: 401, restored by Audio Grail (Garrard / Audio Grail)
Inside the system
Audio Grail-restored Garrard 401 turntables with 12-inch Thomas Schick arms feed a Condesa Carmen rotary mixer. Two Line Magnetic 845IA single-ended Class A integrated amplifiers accompany vintage Klipschorns and lowboy Cornwalls.
The main horn speakers and back-bar Cornwalls give the installation separate listening positions within the same loudspeaker family. The combination of efficient speakers, valve amplification and restored turntables is the defining feature of the analogue chain.
XO Kansas City lists Garrard in its source / playback setup. The equipment details below reflect the venue record.
Turntable: 401
Inside the system
A Garrard 401 idler-drive turntable is the identified source component. The three-way horn cabinets may be Klipsch speakers from the Heresy family, but that identification remains provisional.
The original system paired two Garrard 301 mechanisms with Vinylista plinths and 12-inch Thomas Schick arms.
Original turntables: 2 × Garrard 301 with 12-inch Schick arms in Vinylista plinths (Garrard / Thomas Schick / Vinylista)
Inside the system
The original Arts District bar used Klipschorn AK6 mains and modified Heresy speakers at the bar. Audio Note Jinro Shochu and M5 electronics served the main installation, with a McIntosh 6100 also in the system. Two Garrard 301s carried 12-inch Schick arms in Vinylista plinths, alongside a Condesa rotary mixer.
The 2021 NeueHouse residency used a different combination: Graham LS5/8 monitors with EAR 509 monoblocks and a 912 linestage/phono stage. These are separate historical installations, each with its own speaker and amplifier pairing.
Garrard equipment is recorded in this venue’s system. This does not imply that the manufacturer designed or installed the system.
Turntables: 301
Turntables: 401
Inside the system
The reported opening system pairs vintage Electro-Voice Georgian 400 and Altec Model 19 loudspeakers with Garrard and Thorens turntables. Dynavector and Pass Labs electronics join tonearms from Dynavector, SME and Sorane. The component list below comes from the pre-opening equipment announcement; the final installed combination has not been independently reconfirmed.
Garrard equipment is recorded in this venue’s system. This does not imply that the manufacturer designed or installed the system.
Turntables: 401
Inside the system
The café lists Vitavox Klipschorn loudspeakers, a McIntosh MA2275 amplifier and a Garrard 401 turntable. Its arm and pickup entry names SME and Shure N97XE without an exact SME model. The Vitavox designation is retained as given, rather than equated with a current Klipsch product.