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Inside the system

The Main Room combines OJAS × NNNN ON2 and NNNN Gage 125 loudspeakers with McIntosh C55 control electronics, Powersoft Unica amplification and Rupert Neve Designs and Manley processing. The signal-processing equipment includes Neve MBT, P2MB and RMP-D8 units and a Manley Massive Passive stereo valve equalizer. The booth offers ARS 9900BW, 5000 and 3500LE equipment alongside an AlphaTheta euphonia mixer, Technics SL-1200G-S decks and Pioneer CDJ-3000 players. An Isonoe five-band equalizer, Benchmark DAC3 HGC and NNNN monitoring broaden its control and playback options. The Blue Room follows a separate OJAS chain: TAD loudspeakers, a Super-sub, Phonoplayer 1200G, April phono stage and April PSET 300B amplification. The contrast between the extensively processed Main Room and the dedicated valve-amplified Blue Room is a defining feature of the installation.

Inside the system

Public Records has several distinct installations. The indoor Sound Room combines Void Nexus XL subwoofers, OJAS quad-15 slot-loaded midbass cabinets, Altec 1505B multicell horns and Faital supertweeters. Void and BGW amplification works with BSS processing; four Technics SL-1200MK2s and four Pioneer CDJ-2000NXS2s accompany a custom Isonoe mixer. The Bar Room uses replica Altec 816 midbass cabinets, OJAS cabinets with 500 Hz horns and Altec high-frequency drivers, plus Void Venu 115 subwoofers. Crown and BGW amplification accompanies analogue crossovers, with two SL-1200MK2s, two CDJ-2000NXS2s and an Isonoe mixer at the booth. The outdoor Nursery has an OJAS × NNNN fully horn-loaded four-way installation. A later Atrium installation uses six OJAS × NNNN ON M I assemblies and eight TL18 subwoofers. These room-specific systems represent different chapters and spaces, rather than components of one signal chain.

Inside the system

Two NNNN Gage 60 speakers and one Devor 23 subwoofer serve the dance floor. Four Comium P units cover social spaces, with two Gage 125 speakers used as DJ monitors.