Audio-Technica makes cartridges and other audio equipment in Japan. Its moving-magnet and moving-coil cartridges are used with a wide variety of turntables in the featured rooms.
The Audio-Technica AT-ART1000 is a moving-coil cartridge. Its direct power system places the coils above the stylus tip. Venue references shortened to ART1000 refer to this model.
Shop AT-XP7 on Amazon ↗Affiliate link · As an Amazon Associate I earn from qualifying purchases.Cartridge only; this link does not include the modified Technics turntable.
Audio-Technica VM740ML — dual-moving-magnet with a MicroLine stylus. High tracking detail at a listening-bar price. A product photo is already indexed.
The Audio-Technica VM750SH is a dual moving-magnet cartridge with a Shibata stylus and aluminium cantilever. It is also listed in venue equipment notes with spaces in the model name and the MM cartridge designation.
Bar Neiro lists Audio-Technica in its source / playback setup. The equipment details below reflect the venue record.
Cartridges: AT-ART1000 MC; VM 750 SH MM
Inside the system
Bar Neiro builds its analogue chain around Altec A5 components in Western Electric 825 cabinets: 515B woofers, 1505B horns and 288C compression drivers, supplemented by Fostex T90A supertweeters. Shindo Cortese 300B amplification uses Western Electric 300B valves, with a Shindo Monbrison preamplifier.
The source is a Garrard 301 with an A23 Hommage mat and 12-inch Schick arm. Audio-Technica ART1000 and VM750SH cartridges provide alternative pickup options, with Auditorium 23 cabling. High-efficiency horn loading and low-power valve amplification are central to the design, within an acoustically considered room.
Rhinoçéros uses an Altec Voice of the Theatre A7 system: a 416A/828 bass section, 808 compression driver with aluminium diaphragm and a 511 horn, in a 16 Ω configuration. Werner Jagusch speaker-level autoformer crossovers and JBL 2405 supertweeters are important additions to the loudspeaker assembly.
Thöress F2A11 amplification and a Thöress phono equalizer accompany a Micro-Seiki DQX-500 with Audio-Technica VM740ML and VM750SH cartridge options. Belden internal wiring and Canare amplifier cables complete a system in which the crossover and supplementary tweeters are as significant as the original Altec components.
AT-XP7 cartridges are reported on the Technics decks, while an ART1000 moving-coil cartridge serves the Kuzma album-listening setup.
Album listening deck: Stabi XL-series deck with ART1000 MC; exact XL variant differs across reports (Kuzma / Audio-Technica)
Inside the system
Living Voice developed bespoke four-way horn-loaded satellites with 15-inch midbass drivers and two large bass cabinets under Kevin Scott’s direction. An Atelier du Triode 300B valve amplifier, listed at approximately 30 W Class A, serves the horns; two custom 500 W MOSFET amplifiers power the bass.
The source collection includes Isonoe-modified Technics decks with Audio-Technica AT-XP7 cartridges and an Isonoe rotary mixer, plus a Kuzma Stabi XL-series deck with an ART1000 cartridge. Tascam DA-3000, Revox B77, Studer A730 and Pioneer CDJ-2000NXS2 sources add digital and tape formats. Apart Mask 6T speakers with REVAMP4120T amplification provide café fill. The split between main horns, bass cabinets and fill speakers is central to the room’s architecture.
A later equipment account specifies an AT-OC9XSH cartridge on a Technics SL-1200G. This differs from the older deck information retained in the room profile.
Inside the system
Shibuya Hi-Fi assigns a different system to each of its three rooms. The dedicated HiFi room pairs Klipschorns with a Luxman L-505uXii. The bar combines JBL “Heritage 100s,” as described by the venue, with Naim NAC72 and NAP140 electronics.
The lounge uses bespoke Cathode Bias / Café Sound loudspeakers with 15-cell horns and dual 15-inch woofers. Technics SL-1200 MK2 decks and a Bozak AR4 rotary also form part of the project. The room-by-room distinctions matter: the custom lounge system is separate from the Klipsch and JBL installations.